Welcome to the Telemann Society of New York, New York!
The first major recording by The Telemann Society was The English Country Dancing Master. This release elicited unanimous rave reviews in the international critical press. Since that time many additional recordings have been produced for release on Nonesuch, Vox/Turnabout, Counterpoint-Esoteric, Amphion, and other recognized record labels.
The Society's weekly FM radio show has often been heard over the facilities of National Public Radio and good music FM stations in major cities.
Its live concerts have included Carnegie Hall and Town Hall, New York; Jordan Hall, Boston; and the Busch-Reisinger Museum at Harvard University.
The Telemann Society is under the musical direction of the husband and wife team of Richard and Theodora Schulze, assisted by their son Otto.
As founders of the Carnegie Hall
Fund the Schulzes wrote the Feasibility Study and Operating Plan for the
Isaac Stern Citizens Committee to Save Carnegie Hall. Later they recovered the
historical remains of Theodore Thomas from his former summer home in the White
Mountains of New Hampshire and saw to their transfer to the archive of the
Chicago Symphony Orchestra. More recently they have been at the helm of the
American Conservatory of Music,
founded in 1886 and numbered among the major professional conservatories of the
world. The Conservatory confers the degrees Doctor of Musical Arts, Master of
Music, and Bachelor of Music.
The Telemann Society
in residence at the
American Conservatory
of Music
Chicago Campus
You may write to us at:
Sandra Hahn
The Telemann Society, Inc.
c/o The American Conservatory of Music, Inc.
252 Wildwood Road
Hammond, Indiana 46324
Tel: (219) 931-6000
Recordings by
The Telemann Society
Richard and Theodora
Schulze, Music Directors
SOME CRITICAL COMMENTS. . .
"Fresh enthusiasm in the performance"
THE GRAMOPHONE, LONDON
"perky, cool, charming, and highly
diverting"
THE NEW YORK TIMES
"excellent performances and skillful
editing"
AUDIO & RECORD REVIEW, LONDON
"the charm of a rustic celebration"
THE NEW YORK TIMES
"the performances are adroit and polished"
DAVID RANDOLPH
HIFI/STEREO REVIEW
"enough glory spread around for everyone concerned"
THE CHRISTIAN SCIENCE MONITOR
"perfectly shaped miniatures with a haunting modal ringextraordinarily
beautiful"
THE NEW YORK TIMES
"cheerful, buoyant performances"
THE GRAMOPHONE, LONDON
"stylistically right and full of spirit"
THE NEW YORK TIMES
"a release of great documentary significance"
THE AMERICAN RECORD GUIDE
"the musicrhythmic, simple, and tunefulis wonderful for children"
McCALL'S
"nicely documented and programmed"
BILLBOARD
"a product of much earnestness and imagination"
THE AMERICAN RECORD GUIDE
"the compositions are utterly charmingof captivating quality"
HIFI/STEREO REVIEW
"a freeing glee"
ATLANTIC MONTHLY
"dedicated musicians"
McCALL'S
You may also link to the Conservatory's web site.
You may also link to Otto Schulze's web site. Otto Schulze is Chairman of the American Conservatory of Music and serves as Co-Music Director of the the Society where he is principally involved with production of new media featuring members of the Telemann Society Chorus and Orchestra.
This home page is under construction. Please check back often for updated information about the Telemann Society, its recordings and concert schedules.
Herr Telemann's brief timeline is detailed below: (This timeline will be modified in the future.)
He attended the "Altstäische Schule" (school), and while there was a student of the cantor and musical director of the six main churches "Benedictus Christiani". Afterwards Telemann attended the "Domschule" (school).
He learned to play musical instruments and learned on his own.
First steps in composing; composition and performance of the opera "Sigismundus" (approx. 1693)
Telemann created some compositions for the church and the town-musician
He conducted operas and performed as an opera-singer.
In 1704, he became organist (and thus musical director) at the "Neue Kirche" (church).
Composition of cantatas for the "Thomaskirche" (church) and the operas at Leipzig and Weißnfels
In 1701, during a journey via Halle meeting with Georg Friedrich Häel; during visits at each other joint studies of theory of composition; start of their lifelong friendship
Telemann created his composition of the french overture suites
Eisenach was for Telemann the "severe school" where he, not only in the music, came "to a true solidarity", but he also became "a different person in Christianity".
Completion of the Eisenach annuals, five new annuals, in addition numerous occasional jobs, orchestra and chamber music.
He gave public concerts, printed and published many of his own (and some of other people`s) compositions (until 1740).
Composition of religious cantatas and an annual passion music, operas and intermezzi for the Hamburg opera (until 1738), festival music for urban, ecclesiastical, educational and private occasions (among them, anually, an oratorio and a serenade for the banquet of the militia captains).
The composer and publisher Telemann kept up a lively correspondence and cultivated far-reaching relations in many european countries and to many colleagues.
They resound in Telemann`s public concerts.